Three sisters in Ghaziabad jump to their deaths over a Korean culture obsession. Was it a task-based game or a failure of community? Read the investigation.
Brajesh Mishra
In a tragedy that has sent shockwaves through the Delhi-NCR region, three minor sisters (aged 16, 14, and 12) jumped from their 9th-floor apartment in Bharat City, Ghaziabad, in the early hours of February 4. The investigation has moved beyond a simple suicide case into a chilling exploration of digital addiction, extreme social withdrawal, and a cult-like obsession with Korean pop culture.
Police recovered an eight-page diary where the sisters—who had not attended school for five years—referred to themselves as "Korean princesses" and utilized fictional names like Maria, Aliza, and Cindy. The sisters reportedly entered into a suicide pact after their father, Chetan Kumar, confiscated their mobile phones to break their immersion in what investigators initially termed a "task-based interactive love game." This case marks a critical turning point in the national conversation regarding the "hidden" children of the post-pandemic digital era.
Nishika, Prachi, & Pakhi (The Sisters): The victims of extreme "digital enmeshment." They believed they were not Indian but Korean, a phenomenon psychologists are now calling Cultural Dysmorphia fueled by algorithm-driven content.
Chetan Kumar (The Father): A forex trader living a complex domestic life with two wives (who are sisters). His attempt to "cold turkey" his daughters' addiction triggered the fatal crisis, highlighting the lack of parental resources for digital de-addiction.
Nimish Patil (DCP, Trans-Hindon): The lead investigator who initially flagged a "Korean Love Game" angle but is now shifting focus toward the broader psychological impact of K-drama and K-pop on isolated minors.
While headlines scream about "Deadly Korean Games," the real story is the Sovereignty of the Digital Bubble. These girls were suffering from a localized version of Hikikomori—a Japanese term for extreme social withdrawal.
By dropping out of school for five years, they lost all real-world anchors. The "Korean culture" they obsessed over was not the actual country of South Korea, but an idealized, algorithmic version of it that served as their only emotional safe haven. When their phones were taken away, it wasn't just "losing a device"; to them, it was a forced "deportation" from the only world they felt they belonged to. This tragedy exposes a massive failure in community surveillance and the education system’s inability to track "Lost Pandemic Students."
If the digital world becomes the only place our children feel "at home," are we prepared for the consequences when that world is switched off?
What Korean game caused the Ghaziabad sisters' suicide? Initial reports suggested a "Korean Love Game" with 50 tasks, but police currently believe it was a general obsession with K-culture, K-dramas, and social media rather than one specific app.
Why did the three sisters jump in Ghaziabad? The girls were reportedly distressed after their father restricted their phone access and sold their mobile device to curb their extreme digital addiction.
Did the Ghaziabad sisters leave a suicide note? Yes, an eight-page diary and a note scribbled on a glass panel were found. The note said, "Sorry Papa... Korea is our life."
Was there a Burari connection in the Ghaziabad case? While the family originally hails from Burari, there is no evidence of "shared psychosis" involving religious rituals. The connection is primarily geographic and in the "mass suicide" nature of the event.
How long had the sisters been out of school? The sisters had been out of formal education since the 2020 pandemic lockdowns, leading to five years of social isolation.
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